INTERVIEW: Behold! It’s Sugarstone! The ANGEL BOYS!

© Sugarstone, 2021

By Neve Robinson

Sugarstone. The new-wave infused quartet are hot, hot, hot at the moment – and they took a moment out of their busy schedule to chat to little old me! I was fairly chuffed to say the least. Joseph O’Haire, George Miller, Brandon Calvert and Ben Wilson are aiming to change the face of the Manchester music scene one synth at a time, and by God are they going to do it. We chatted about their new single, Angel Boy, as well as the trials and tribulations of infiltrating Year 7 rock bands. Behold, the saccharine sweethearts’ wisdom, imparted…

Hello Sugarstoners, stones of sugar or sugary stones if you will. Thank you ever so much for letting me ask you some daft things. First and foremost, how long have you guys been making tunes and when did you all meet? What made you want to get into music?

(George) Joe and I have been mates for going on 7 years now, we went to school together. So I suppose it all started with that, as cliché as that may be. I actually joined the ‘Year 7 Rock Band’ without Joe’s consent, so things were a little Icey at first. But luckily we cut out the middleman (literally) and are now inseparable hehe.  We started writing properly in college, then sort of hit the ground running once we all moved to Manchester. We met Ben and Brandon at college and by second year had the line-up you now know as ‘Sugarstone’. 

You’re making quite the name for yourself as new-wavey synth revivalists. I feel like I’m listening to an amalgamation of all of my favourite eighties records but also with a modern, catchy indie-pop twist. Was this your intention with Sugarstone’s sound? Angel Boy is a bonafide Duran Duran-esque dream.

(Joe) Honestly it wasn’t! We aren’t all that interested in being pinned as one particular type of band. We just write music that we want to hear at a particular moment in time because we can’t find it anywhere else! With ‘Angel Boy’ I suppose it was written during the height of isolation and I wanted to just dance to some Peter Gabriel-esque pop with elements of EDM as we all love that too! Our next single which was written a month after ‘Angel Boy’ is a departure from a lot of our older stuff, but of course like anything our influences always seep into it.

I always like asking this, because I’m really nosey. Why the name Sugarstone? Where did it come from? Big into the name, I’m picturing a really, really big sugarcube – big enough for a swimming pool-sized brew even…

(George) ‘Sugarstone’ is a song by a band called ‘Peace’. One of my mum’s dearest friends was a good friend of the band and is actually mentioned in the song (or so he told us). He passed away in 2013. So I’d like to think the name is a bit of a tribute to him, he was great. But also, yeah, we thought it sounded cool. A lot cooler than some of the other options we’d come up with…trust me. 

So, as aforementioned. Tell us about Angel Boy. What’s it about? Talk me through the writing process…

(George) ‘Angel Boy’ is about the urge to look after someone, even if they don’t need/want it. Joe sent me over the music, and I wrote the lyrics that evening. We basically had the song you now hear pretty much straight away, with a couple of amendment made in the studio. But yeah, it’s lyrically laced with sarcasm, while at the same time being a very personal account of how I was feeling at the time. We love to ride that satirical wave, if you know what I mean

What would you say your favourite of your releases so far has been? I love Angel Boy but I’ve got a bit of a soft spot for I Wanna Be Famous. I think it’s because I wanna be.

(George) I think it would be rude (and bad marketing) to not say Angel Boy. It’s the start of a very exciting chapter for us as a band and we can’t wait to build on it when we release the next one. Although saying that, I do love ‘Tiger, Reach Out!’, its unapologetically intense and I like that. 

Who are your biggest influences? Not just musically, but in your fashion too please. You guys have got a really distinctive, snazzy look. It’s NEW New Romantic chic. I like it.

(Joe) Aw thank you! In regards to music our influences are vast and ever changing. But of course I would have to mention Duran Duran as I was bombarded with them as a child thanks to Mum. Some more contemporary influences would have to be artists such as Panther Modern from LA, De Staat from Holland, Queens Of The Stone Age and Grimes! But the list goes on and on! I would have to also mention the TV show ‘Twin Peaks’ as that has influenced me in so many ways to delve into sonic soundscapes within the music. To be honest, we don’t think about fashion all too much but we do like to match our aesthetics with the music we are releasing or making at that particular time. For instance with the release of ‘Tiger, Reach Out!’ We styled ourselves as flamboyant New Romantics and with the release of ‘Angel Boy’ we went for a kind of olden days school boy look with a hint of children’s tv presenters like Mr Maker hahah! 

Onto gigging. What have we got planned for the future of Sugarstone? Will we be able to catch you lovely lot on tour any time (fairly) soon?

(George) The future of Sugarstone is extremely bright! We’re rehearsing a lot, back in the studio next week and yeah, got some very exciting live gigs in the pipeline for once the apocalypse is over (or nearly over). 

Where do you rate the best gig you’ve ever played is?

(Ben) There are a fair few that come to mind when you ask a question like that. I think most of our fondest memories belong to The Ferret, because that’s where we really grew into the band we are now. I’ve got to give my number one spot to when we played Band On The Wall, though. We were having a string of really good gigs at the time and it was just the icing on the cake. There’s a huge stand to dance around on, the lightings great, i think they even had a smoke machine. It’s just a great setup. The crowd was what made it though, everyone was singing and dancing, I remember it being fairly full and everyone came down. That’s definitely right up there.

You’re another cracking Manchester band. We love to uplift talent based in, FACTUALLY speaking of course, the greatest city in the world. Favourite local artists?

(George) I tell you what we’ll give you one band each, so no-one feels left out. I’m going to go with SLAPRASH. Two of our closest mates, and they make great music too.  Joe’s going for Kashmere. Great lads and we’ve played some great gigs along side them. Ben’s pick is The Blinders. Not technically a ‘Manchester Band’, but too good not to mention. And finally Brandon’s pick is Working Men’s Club.  

And finally, because I am the height of professional interviewer, I’m going to end with a Snog, Marry, Avoid – this time with New Romantic legends because I can somehow see you all having a bev with the likes of Visage’s Steve Strange. SNOG, MARRY, AVOID – Boy George, Simon Le Bon, the one really fit Kemp brother from Spandau Ballet. Think it’s Martin.

(Joe) Hahahah not had to answer one of these since those early school days where you had to choose this very carefully and seriously. 

SNOG – Boy George 

MARRY – Simon Le Bon

AVOID – Martin Kemp

‘Angel Boy’ by Sugarstone is available on all good streaming platforms. Listen here:

Solis Single Review: ‘Be Together’ Is Bold And Beautiful

© SOLIS

By Lana Williams

For any fans of Phoebe Green, Abbie Ozard and Lauren Hibberd, Solis is the star for you.

Irish hailing, Manchester based, stellar songwriter Solis has released her dazzling new single ‘Be Together’. Boasting expressive lyricism and enormous explorations into poignant feelings, Solis’ latest release offers a dreamy escapism. ‘Be Together’ acts as the second offering from her upcoming debut album which is set to be a sonic wonder. 

Her ethereal aura expressed through the track has unsurprisingly caught the attention of multiple media outlets, such as BBC radio Manchester. 

Talking on the track, Solis shares:

“”Be Together” tells the story of someone who longs to be in a relationship all the time. When someone finds it difficult to be on their own and becomes infatuated by another they wish to be with… The middle section with the cannon vocals is symbolic of the commotion, confusion and lust that has consumed the person’s thoughts. It’s not autobiographical, but there are elements of the unnamed narrator that I definitely relate to. Loneliness and missing human connection is something that we all can understand after the coronavirus pandemic.”

Her haunting vocals and psychedelic compositions beautifully melt together in a way that is fondly reminiscent of Lana Del Rey. Pouring with emotion and fruitful longing, this non-auto-biographical cut has received a glowing reception and sees her start to break out in the Manchester music scene.  

Her honest and unvarnished approach to difficult topics and symbolic libretto gives a unique, sincere perspective on the all-consuming commotion and confusion that comes along with difficult situations.  Related to current climates, her commentary on missing human connection offers and all-too relatable tale of the tribulations that have encroached on all our lives over the past year.

Keep your eyes peeled for more Solis creations, approaching imminently.

Solis’ new single is available here, and you can keep up with her on her social media here.