By Varun Govil
If someone were to approach me for advice on what the best setup for a band is, a lot of options would come to mind, most of which would probably be probably safe or easy to work with. Though, if I were to say something like a jazz trio, or a four-piece indie band I would undoubtedly feel disingenuous. That is because, and I can say this with a lot of certainty, the objectively best setup for a band is a two-piece noise-rock band. From Hella and Lighting Bolt to Belk and Modern Technology, there’s no lack of data that shows it’s a formula that not only works, but leaves so much room for individuality, experimentation, and attitude to shine through. With this in mind, it should come as no surprise that when I encountered the music of Manchester noise-rock siblings SLAP RASH there was an immediate compulsion to engage with their music.
Almost as bold and present as their fully capitalised band-name, the duo’s latest single, “Cimmerian,” knows how to utilise atmosphere to its greatest extent. With its eerie synth-laden intro providing a backdrop for singer and drummer Amelia Lloyd’s authoritative vocals, an immediate sense of tension crawls through you that never fades through the tracks three and a half minute runtime. Even when bassist Huw Lloyd barrels through with his fuzzed-up, stabbing performance alongside the power of his sister’s confidence behind the drums, SLAP RASH keep up the atmosphere they built at the onset of the track.
Not letting ego get in the way of their songwriting though, the band are aware that an effective track needs restraint as much as it needs unleashed flurries of sound. As such, while heavy on those moments of raucous noise-rock, the duo wisely know when to stand back and let the sparseness do the talking, as passages of dynamic lows fill the space between furious choruses. The result is an engrossingly exciting addition to the expansive noise-rock canon.